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The Quality of Love

‘Oh, what lives they both led!’ Spectator

‘Enriched by the correspondence between the twins – for, ultimately, the great love story is theirs alone’ Telegraph

A TLS Book of the Year

When her mother Celia Paget died, Ariane Bankes inherited a battered trunk stuffed with letters and diaries belonging to Celia and her twin Mamaine. This correspondence charted the remarkable lives of the Paget sisters and their friends and lovers, including Arthur Koestler, Albert Camus, Sartre and de Beauvoir, and George Orwell. 

Out of this rich archive, The Quality of Love weaves the story of these captivating and unusually beautiful identical twins who overcame a meagre education to take 1930s London society by storm and move among Europe’s foremost intellectuals during the twentieth century’s most dramatic decades. Above all, it is a sparkling portrait of the deep connection between two spirited sisters.

The British

A fondness for laughing at our own anecdotes. An assertion of the importance of tea. A weakness for oak beams. A keen interest in the weather. A tendency to ‘become doggy’. The British haven’t changed much since the 1930s, when Pont’s first witty and hilarious observations on the national character appeared in Punch magazine.

Pont’s plump rolling-pin wielding cooks and solar-topee’d imperialists capture a distinct moment in British inter-war history, but his observations of character are timeless. In the nursery, at the opera, or in the bath, in tweed or tennis whites or bowler hat, Pont conjures distinct, complete personalities with a few strokes of his pen.

Charming, idiosyncratic and – above all – wonderfully funny, this unforgettable collection will bring Pont’s extraordinary talent to a new generation of fans.

Everyman’s England

A classic travelogue that brilliantly conjures 1930s Britain.

In this series of pen-portraits of England from the 1930s, Victor Canning ‘evocatively captures the pattern and colour of English life’ (The Bookseller), from Cumbria to Cornwall. Canning’s heart-warming and humorous observations of sleepy villages, pastoral scenes and busy industries are a delightful time capsule into life in England during the interwar years.  

‘What does the word England mean to you? To all of us England means something different, and yet I think there is for every man and woman some little corner which is more England than anywhere else…’

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