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The British

A fondness for laughing at our own anecdotes. An assertion of the importance of tea. A weakness for oak beams. A keen interest in the weather. A tendency to ‘become doggy’. The British haven’t changed much since the 1930s, when Pont’s first witty and hilarious observations on the national character appeared in Punch magazine.

Pont’s plump rolling-pin wielding cooks and solar-topee’d imperialists capture a distinct moment in British inter-war history, but his observations of character are timeless. In the nursery, at the opera, or in the bath, in tweed or tennis whites or bowler hat, Pont conjures distinct, complete personalities with a few strokes of his pen.

Charming, idiosyncratic and – above all – wonderfully funny, this unforgettable collection will bring Pont’s extraordinary talent to a new generation of fans.

And The Show Went On

In June 1940, Paris fell to the Nazis who made the world’s cultural capital their favourite entertainment ground. Music halls and cabarets thrived during the occupation, providing plenty of work for actors, singers and musicians except for the Jews. The likes of Maurice Chevalier and Edith Piaf, who had entertained the French troops, now unabashedly provided amusement to the Germans.

After the invasion of France, those artists still in Paris had to find ways to survive. Although Matisse and others kept out of view, Picasso could not avoid Nazi visitors. A few, like Beckett, joined the Resistance. Some were arrested and died in German hands. Others entertained the enemy. The theatres reopened, the movie cameras rolled, galleries sold paintings looted from Jewish families, pro-German writers and their rivals fought in print. Told through the experiences of renowned creative figures and witnesses of the times, And the Show Went On is an authoritative account of how Paris’s artistic world lived through the Occupation during which some suffered Nazi oppression while others prospered through collaboration.

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