AGA Archives - Duckworth Books

Duet

An ancient shaman raises a conch shell to her lips in a painted cave. A scholar in a Shaolin monastery bends over a manuscript and invents a musical scale. A 21st-century pop star takes her seat at a candyfloss-pink piano.

Music is interwoven into the fabric of our lives. We listen to it. Some of us play it. And from the earliest traces of human existence, we have attempted to capture it – through the instruments we decorate, the spaces we perform in, and in kaleidoscopic paintings, medieval illuminated manuscripts and haute couture.

In this startlingly original and beautifully illustrated history of music, classically trained musician, art historian and BBC Next Generation Thinker Dr Eleanor Chan takes us on an unforgettable journey through sound and vision that will forever change the way we see music.

The British

A fondness for laughing at our own anecdotes. An assertion of the importance of tea. A weakness for oak beams. A keen interest in the weather. A tendency to ‘become doggy’. The British haven’t changed much since the 1930s, when Pont’s first witty and hilarious observations on the national character appeared in Punch magazine.

Pont’s plump rolling-pin wielding cooks and solar-topee’d imperialists capture a distinct moment in British inter-war history, but his observations of character are timeless. In the nursery, at the opera, or in the bath, in tweed or tennis whites or bowler hat, Pont conjures distinct, complete personalities with a few strokes of his pen.

Charming, idiosyncratic and – above all – wonderfully funny, this unforgettable collection will bring Pont’s extraordinary talent to a new generation of fans.

Britain At Play

In Britain at Play we collect the finest of William Heath Robinson’s studies of the unique British character. Here we find Britain in the garden, at the beach and on the golf course – the 9th hole played with the grim reaper, rotating sunbathing machines, a double cross tennis match ‘For economising space in local tournaments and generally gingering up the game’. Heath Robinson perfectly captures the peculiar character of the great British nation at leisure.

The Lost Carving

The highly acclaimed memoir of a renowned artisan with a new introduction by Jenny Uglow, The Lost Carving reveals the inspirational secrets of wood and craft. On a chance visit to St James’s church, Piccadilly, David Esterly was awestruck by the delicate beauty and ambition of master carver Grinling Gibbons’s limewood decorations. The encounter changed the course of Esterly’s life as he devoted himself to these lost techniques.

By 1986, when a fire at Hampton Court Palace destroyed much of Gibbons’s masterpiece, Esterly was the only candidate to restore his idol’s work to glory, though the experience forced him to question his abilities and delve deeply into the subtle skills of making.

Contraptions

A timely new edition featuring the brilliant work from among the most inventive minds in illustration and cartoon wizardry.

Heath Robinson was one of Britain’s most successful graphic artists. His work has had a huge influence on comic art in this country, but also on the image and self-image of the British.

As the champion of pragmatic man, Heath Robinson presented a vision of the British as an unflappable, ingenious and slightly demented breed of inventors that persists to the present day. The British are still a nation of garage-haunting amateur engineers who will recognise the inhabitants of Heath Robinson’s world, with their pot bellies and pots of tea, archaic faces and sturdily commonsensical approach to the problems of existence.

How to hunt tigers by elephant, how to get an even tan, rise with the sun or put out a chimney fire, these and many more pressing questions are answered in the pages of Contraptions.

With illustrations salvaged from the family archives and commentary by Heath Robinson expert, Geoffrey Beare, Contraptions is the best possible introduction to the work of one of Britain’s great comic talents.

And The Show Went On

In June 1940, Paris fell to the Nazis who made the world’s cultural capital their favourite entertainment ground. Music halls and cabarets thrived during the occupation, providing plenty of work for actors, singers and musicians except for the Jews. The likes of Maurice Chevalier and Edith Piaf, who had entertained the French troops, now unabashedly provided amusement to the Germans.

After the invasion of France, those artists still in Paris had to find ways to survive. Although Matisse and others kept out of view, Picasso could not avoid Nazi visitors. A few, like Beckett, joined the Resistance. Some were arrested and died in German hands. Others entertained the enemy. The theatres reopened, the movie cameras rolled, galleries sold paintings looted from Jewish families, pro-German writers and their rivals fought in print. Told through the experiences of renowned creative figures and witnesses of the times, And the Show Went On is an authoritative account of how Paris’s artistic world lived through the Occupation during which some suffered Nazi oppression while others prospered through collaboration.

Effie

The scandalous love triangle at the heart of the Victorian art world. Effie Gray, a Scottish beauty, was the heroine of a great Victorian love story. Married at nineteen to John Ruskin, she found herself trapped in a loveless and unconsummated union. When her husband invited his protégé John Everett Millais away on holiday, she and Millais fell in love. Effie would inspire some of Millais’s most haunting images, and embody Victorian society’s fears about female sexuality.

Effie risked everything by leaving Ruskin. She hoped to find fulfilment as Millais’s wife, becoming a society hostess and manager of his studio, but controversy and tragedy continued to stalk her. Suzanne Fagence Cooper has gained exclusive access to Effie’s family letters and diaries to reveal the reality behind the scandalous love-triangle. She shows the rise and fall of the Pre-Raphaelite circle from a new perspective, through the eyes of a woman who was intimately involved in the private and public lives of its two greatest figures. Effie’s charm and ambition helped to shape the careers of both her husbands. Effie is a compelling portrait of the extraordinary woman behind some of the most famous Pre-Raphaelite paintings.

Young Michelangelo

This is a long-awaited and authoritative reinterpretation of the early life and career of arguably the greatest artist in history. Author John T. Spike surveys Michelangelo’s early life from birth to his early thirties, probing the thinking, artistic evolution and yearnings of a young man thoroughly convinced of his own exceptional talent. Spike explores Michelangelo’s involvement in the most troubling controversies of his age, and recreates Florence and Rome with vivid sketches of Lorenzo the Magnificent, Leonardo, Julius II and Machiavelli. This is a prodigiously informative and compelling account that will fulfil the need for a major Michelangelo biography for this generation and many to come.

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