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Duet

An ancient shaman raises a conch shell to her lips in a painted cave. A scholar in a Shaolin monastery bends over a manuscript and invents a musical scale. A 21st-century pop star takes her seat at a candyfloss-pink piano.

Music is interwoven into the fabric of our lives. We listen to it. Some of us play it. And from the earliest traces of human existence, we have attempted to capture it – through the instruments we decorate, the spaces we perform in, and in kaleidoscopic paintings, medieval illuminated manuscripts and haute couture.

In this startlingly original and beautifully illustrated history of music, classically trained musician, art historian and BBC Next Generation Thinker Dr Eleanor Chan takes us on an unforgettable journey through sound and vision that will forever change the way we see music.

David Bowie Made Me Gay

‘Lovingly detailed and exhaustively researched – easily the most readable and comprehensive guide I’ve seen to this fascinating hidden history’ Tom Robinson, musician, broadcaster and long-time LGBT rights activist

From Sia to Elton John, Dusty Springfield to Little Richard, LGBT voices have changed the course of modern music. But in a world before they gained understanding and a place in the mainstream, how did the queer musicians of yesteryear fight to build foundations for those who came after?

Pulling back the curtain on the colourful world that shaped our musical and cultural landscape, Darryl W. Bullock reveals the inspiring and often heartbreaking stories of internationally renowned stars, as well as lesser-known names, who have led the revolution from all corners of the globe. David Bowie Made Me Gay is a treasure trove of moving and provocative stories that emphasise the right to be heard and the need to keep up the fight for equality in the spotlight.

Elvis Has Left the Building

The King departed this world during the month of punk Rock’s apotheosis. Punk had set out to destroy Elvis, or at least everything he came to represent, but never got the chance. Elvis destroyed himself before anyone else could.

Nearly forty years after his death, Rock’s ultimate legend and prototype just won’t go away and his influence and legacy are to be found not just in music today, but the world over. Elvis Presley has permeated the modern world in ways that are bizarre and inexplicable: a pop icon while he was alive, he has become almost a religious icon in death, a modern-day martyr crucified on the wheel of drugs, celebrity culture, junk food and sex.

In Elvis Has Left the Building, Dylan Jones takes us back to those heady days around the time of his death and the rise of punk. He evokes the hysteria and devotion of The King’s numerous disciples and imitators, offering a uniquely insightful commentary on Elvis’s life, times and outrageous demise. This is a fresh account, written with the authors customary panache, recounting how Elvis single-handedly changed the course of popular music and culture, and what his death meant and still means to us today.

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