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Understorey

Understorey cover

‘A beautiful, quiet, achingly tender book’ Kerri ní Dochartaigh, author of Thin Places

In Understorey, artist and writer Anna Chapman Parker records in prose and stunning original line drawings a year spent looking closely at weeds, our most ubiquitous and accessible plants. In gardens, on verges or clustered around municipal lampposts, weeds offer a year-round spectacle of wildlife. The benefits to us of being among greenery are well known, but what exactly are these vaguely familiar shapes that accompany our every step, yet pass beneath our notice? How and when do they emerge, bloom and subside, and what would it mean to notice them?

Meditating too on how they appear in other artists’ work, from a bramble framing a sixth-century Byzantine manuscript to a kudzu vine installation in contemporary Berlin, Chapman Parker explores the art of paying attention even to the smallest things.

Deeper Into the Wood

In the late 1990s, Ruth Pavey bought four acres of scrub land above the Somerset Levels. She devoted the next two decades to improving the land into a lush wood; a haven for birds, insects and all manner of wildlife. Beneath the shade of the trees, she now reflects on the fate of her wood.

Deeper Into the Wood recounts a year in the life of an amateur naturalist working with wildlife experts to interpret the language of the land with the aim of preserving the wood for generations to come. Lyrically told stories of local people and regional history are accompanied throughout by Ruth’s beautifully hand-drawn illustrations.

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