A landmark work of revisionist history exploring and celebrating the lives of Black Victorians.
Our vision of Victorian Britain tends to the monolithic – white, imperialist, prurient, patrician. However, though until very recently overlooked in our textbooks, there was another, more diverse Britain, populated by people of colour marking achievements both ordinary and extraordinary.
In this deeply researched, dynamic and revelatory history, Woolf and Abraham reach back into the archives to recentre our attention on marginalised Black Victorians, from leading medic George Rice to protestor William Cuffay to attention-grabbing abolitionists Henry ‘Box’ Brown and Sarah Parker Remond; from pre-Raphaelite muse Fanny Eaton to composer Samuel Coleridge Taylor. Black Victorians shows how Black lives were visible, present and influential – not temporary presences but established and rooted; and how paradox and ambivalence characterised the Victorian view of race.
PRAISE FOR THE WONDERS
‘A promising young historian’ Stephen Fry
‘Nuanced and complex, Woolf deftly shows there are stories of empowerment alongside those of exploitation’ BBC History magazine
‘John Woolf’s book will dazzle you with details of extraordinary lives, long underestimated by history’ Matthew Sweet, author of Inventing the Victorians
Compelling, moving and unexpected portraits of London’s poor from a rising star British historian – the Dickensian city brought to real and vivid life.
Until now, our view of bustling late Georgian and Victorian London has been filtered through its great chroniclers, who did not themselves come from poverty – Dickens, Mayhew, Gustave Doré. Their visions were dazzling in their way, censorious, often theatrical. Now, for the first time, this innovative social history brilliantly – and radically – shows us the city’s most compelling period (1780–1870) at street level.
From beggars and thieves to musicians and missionaries, porters and hawkers to sex workers and street criers, Jensen unites a breadth of original research and first-hand accounts and testimonies to tell their stories in their own words. What emerges is a buzzing, cosmopolitan world of the working classes, diverse in gender, ethnicity, origin, ability and occupation – a world that challenges and fascinates us still.
The definitive and revealing biography of the author of The Secret Garden.
Frances Hodgson Burnett’s favourite theme in her fiction was the reversal of fortune, and she herself knew extremes of poverty and wealth. Born in Manchester in 1849, she emigrated with her family to Tennessee because of the financial problems caused by the cotton famine. From a young age she published her stories to help the family make ends meet. Only after she married did she publish Little Lord Fauntleroy that shot her into literary stardom.
On the surface, Frances’ life was extremely successful: hosting regular literary salons in her home and travelling frequently between properties in the UK and America. But behind the colourful personal and social life, she was a complex and contradictory character. She lost both parents by her twenty-first birthday, Henry James called her "the most heavenly of women" although avoided her; prominent people admired her and there were many friendships as well as an ill-advised marriage to a much younger man that ended in heartache. Her success was punctuated by periods of depression, in one instance brought on by the tragic loss of her eldest son to consumption.
Ann Thwaite creates a sympathetic but balanced and eye-opening biography of the woman who has enchanted numerous generations of children.
‘A joy to read – a wonderful, rich book.’ Dame Emma Thompson
The scandalous love triangle at the heart of the Victorian art world. Effie Gray, a Scottish beauty, was the heroine of a great Victorian love story. Married at nineteen to John Ruskin, she found herself trapped in a loveless and unconsummated union. When her husband invited his protégé John Everett Millais away on holiday, she and Millais fell in love. Effie would inspire some of Millais’s most haunting images, and embody Victorian society’s fears about female sexuality.
Effie risked everything by leaving Ruskin. She hoped to find fulfilment as Millais’s wife, becoming a society hostess and manager of his studio, but controversy and tragedy continued to stalk her. Suzanne Fagence Cooper has gained exclusive access to Effie’s family letters and diaries to reveal the reality behind the scandalous love-triangle. She shows the rise and fall of the Pre-Raphaelite circle from a new perspective, through the eyes of a woman who was intimately involved in the private and public lives of its two greatest figures. Effie’s charm and ambition helped to shape the careers of both her husbands. Effie is a compelling portrait of the extraordinary woman behind some of the most famous Pre-Raphaelite paintings.